Corrections? One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . During her suspension she went on a publicity tour for Rank. Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Quiet Wedding (1941) was a comedy directed by Anthony Asquith. She called it My first really big Picture. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. This started filming in November 1939. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. It made her determined to be up on stage herself, flying through the air and fighting the pirates. Cindy Crawford and other big names with facial moles. That year, she was created CBE, but her presence at her investiture at Buckingham Palace, accompanied by her three grandchildren, was her last public appearance. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. "It was the cutest stinking mole, and I was sold," she admitted. Your email address will not be published. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Early Years She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. Organize, control, distribute and measure all of your digital content. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. Karachi-born Margaret Lockwood, daughter of a British colonial railway [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. Yet, even she considered having surgery to get rid of it. Access the best of Getty Images with our simple subscription plan. The film had one of the top audiences for a film of its period, 18.4 million. In the 1930s, she appeared in a variety of stage plays and made her name. Please like & follow for more interesting content. Privacy Policy. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. She starred in another series The Flying Swan (1965). She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. To use social login you have to agree with the storage and handling of your data by this website. The music was written by Hubert Bath. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. 2023 British Film Institute. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Lockwood called it "one of the films I have enjoyed most in all my career. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. The couple had a daughter, Julia Lockwood. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). In spite of this, she was warmly remembered by the public. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. The property has now been converted to flats. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. That's right ladies, moles are beautiful. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. As stated earlier, Monroe's trademark mole may not have been real. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. You canbe born with one, or you can develop one at a later point in your life. They appeared together again in the romantic melodrama The White Unicorn (1947). After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. I used to love her films.. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. She was known for her stunning looks, artistry and versatility. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. Margaret Lockwood , the British film star and actress, seen outside Buckingham Palace with three American Servicemen who are ardent fans of Britain's. English actress Margaret Lockwood , circa 1935. In the 17th and 18th centuries, smallpox was running rampant in Europe. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. Lockwood died from cirrhosis of the liver at the age of 73 in London. The American supermodel isn't the only one with an iconic beauty mark. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. The Truth About Beauty Marks. Margaret Lockwood lived at 18a Highland Rd, London. Listing for: Sport Clips - Stylist - CA519. Her body was cremated at Putney Vale Crematorium. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. As an only child herself, she had once said: I love children. These days, Crawford realizes that her well-placed spot helps her remain recognizable and unique. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. Required fields are marked *. In spite of this, she was warmly remembered by the public. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). Production Company: Gainsborough Pictures. had a bit part in the Drury Lane production of "Cavalcade" in 1932, The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. I like consistency when it comes to getting my hair done. Beautician, Beauty Salon, Barber, Hair Stylist. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). More popular was Jassy (1947), the seventh biggest hit at the British box office in 1947. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagans production of Hannele by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, Lorna Doone when Dorothy Hyson fell ill. ", Even by the mid-1800s, not everyone had opened their minds likePepys. Used Margie Day briefly as her stage name at the very beginning of her stage career. 3.7 Stars and 24 reviews of Lisa Family Salon "For being in So Cal for only 6 months, I have only gotten my hair cut once and that was back in Nor Cal when I went home to visit family. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse.